{"id":64,"date":"2015-11-13T09:22:50","date_gmt":"2015-11-13T08:22:50","guid":{"rendered":"http:\/\/rogerhanschel.de\/en\/?page_id=64"},"modified":"2015-11-15T18:04:10","modified_gmt":"2015-11-15T17:04:10","slug":"koelner-saxophon-mafia","status":"publish","type":"page","link":"https:\/\/rogerhanschel.de\/en\/koelner-saxophon-mafia\/","title":{"rendered":"K\u00f6lner Saxophon Mafia"},"content":{"rendered":"

K\u00d6LNER SAXOPHON MAFIA<\/h1>\n

Roger Hanschel – Wollie Kaiser – Steffen Schorn – Joachim Ullrich<\/strong><\/p>\n

 <\/p>\n

Die Story<\/u><\/strong><\/p>\n

1981<\/strong> K\u00d6LNER SAXOPHON MAFIA wird gegr\u00fcndet, 4. K\u00f6lner Jazz Haus Festival<\/p>\n

1982<\/strong> 1. LP \u201cLive\u201d, Live-Mitschnitt Radio Bremen, WDR.<\/p>\n

1983<\/strong> WDR-Nachtmusik, Daxberger Situationen, Marseille, Jazz in the Garden Berlin, WDR Stadtmusik Gewinner.<\/p>\n

1984<\/strong> Jazzfestival Hofheim, Jazzfestival Balver H\u00f6hle, Jazzfestival Ost West N\u00fcrnberg, Jazzfestival Gie\u00dfen, Jazzfestival Frankfurt, 2. LP \u201cSaxuelle Befreiung\u201d, Preis der deutschen Schallplattenkritik.<\/p>\n

\u00a01985<\/strong> Jazzfestival Z\u00fcrich, Ensemblia `85 M\u00f6nchengladbach, Mitwirkung bei der LP \u201cVor der Flut\u201d, 3. LP \u201cUnerh\u00f6rt-Stadtkl\u00e4nge\u201d.<\/p>\n

\u00a01986<\/strong> Tournee durch West-Afrika, Jugoslawien, Leverkusener Jazztage, 50 Null Null K\u00f6ln, 4. LP \u201cDie Eiserne Nachtigall\u201d.<\/p>\n

\u00a01987<\/strong> Musikalische Mitwirkung Ruhrfestspiele Recklinghausen \u201cDer Packesel\u201d, Auftragskomposition 125 Opel, Jazzfestival M\u00fcnster Big Band Meeting M\u00fcnchen.<\/p>\n

1988<\/strong> FMP Saxophon Festival Berlin, Projekt \u201cTwo Continents – One Music\u201d mit der zairischen Gruppe ELIMA und der Dortmunder Gruppe DR\u00dcMMELE MAA, 5. LP \u201cBaboma\u201d, Jazzfestival Berlin, Kabylon WDR, Jazzfestival Istanbul.<\/p>\n

1989<\/strong> Festival \u201cPost this – Neo that\u201d Philharmonie K\u00f6ln, Kulturwoche Basel, Tournee durch Ost-Afrika, New-York, Festival Glasgow, TV BBC London, Festival Vilshoven, Festival Singen, Breminale Bremen, Jazztage Leverkusen, Konzert- reihe Leipzig, 6. LP \u201cSaxfiguren\u201d Preis der deutschen Schallplattenkritik.<\/p>\n

1990<\/strong> Tournee durch Portugal und Spanien, Festival Barcelona, Tournee DDR, Auftragskomposition \u201cBlues f\u00fcr Millowitsch\u201d NDR.<\/p>\n

1991<\/strong> 10 Jahre K\u00d6LNER SAXOPHON MAFIA Philharmonie K\u00f6ln, 7. LP \u201cK\u00f6lner Saxophon Mafia Proudly Presents\u201d, KSM Radioshow WDR, Tournee durch USA und Kanada, Jazzfestival Montreal, Preis der Deutschen Schallplatten- Kritik.<\/p>\n

1992<\/strong> Auftragskomposition Goethe-Institut San Francisco – Day of Music, Jazzfestival Vancouver, 8. LP \u201cMafia Years\u201d, Jazzfestival Willisau, Festival W\u00fcrzburg.<\/p>\n

1993<\/strong> Biene Maja WDR H\u00f6rspiel, L – 498 – K Projekt Leipzig – K\u00f6ln, Jazzfestival Graz, Jazzfestival Balver H\u00f6hle, Jazzfestival Vlotho, 9. CD \u201cGo Commercial\u201d.<\/p>\n

1994<\/strong> \u201cPost This Neo That\u201d Urauff\u00fchrung von It`s only Rock`n Roll mit Gerd K\u00f6ster, Philharmonie K\u00f6ln, Mitternachtsspitzen WDR TV. Tournee durch Pakistan, Indien, Sri Lanka, Nepal, Musiktriennale, Gostenhofer Jazzfestival, Jazzfestival Raeren.<\/p>\n

1995<\/strong> CD-Einspielung mit dem Fl\u00f6tenquartett VIF, Jazzfestival Wiesen, Jazzfestival Hamburg.<\/p>\n

1996<\/strong> It`s only Rock`n Roll mit Anne Haigis, Bill Dobbins Projekt mit dem Rundfunkorchester des WDR und Dave Liebman, 10 Jahre Stadtgarten K\u00f6ln, Kompositionsauftrag \u201cFestliches Musiktheater\u201d 100 Jahre \u00d6TV Liederhalle Stuttgart. 10. CD \u201c Place for Lovers\u201d .<\/p>\n

1997<\/strong> Jazzfestival Tilburg, Kompositionsauftrag \u201cZauber der Nacht\u201d mit Silvia Droste.<\/p>\n

1998<\/strong> Jazzfestival Stockholm, Storband Festivalen Oslo, Jazzfestival Meersburg, 11. CD \u201cLicence to Thrill\u201d<\/p>\n

1999<\/strong> Jazzfestival Burghausen, Jazz-Rally D\u00fcsseldorf<\/p>\n

2000<\/strong> Verleihung des SWR Jazzpreises, N\u00fcrtinger Jazztage, “it\u00b4s only rock \u00b4n roll” – Rolling Stones Projekt live mit der S\u00e4ngerin Silvia Droste (SWR-Mitschnitt), Kultur-Event des SWR “vier bis vier” in Karlsruhe,<\/p>\n

Kompositionsauftrag des SWR f\u00fcr die Musik zu dem H\u00f6rspiel “H\u00e4ndelstra\u00dfen Blues” von Frank Gr\u00fctzbach und Peter Meisenberg, Jazzfestival “Bingen swingt”, Jazzfestival B\u00fchl, dreiw\u00f6chige Tournee mit elf Konzerten in der Volksrepublik China<\/p>\n

2001<\/strong> Jubil\u00e4um 20 Jahre K\u00f6lner Saxophon Mafia, Live-Konzert-Programm “20 Jahre Saxuelle Befreiung”, neue CD-Produktion mit vierzehn internationalen G\u00e4sten (Herbst 2001)<\/p>\n

2002<\/strong> Preis der deutschen Schallplatten-Kritik f\u00fcr die CD “20 Jahre Saxuelle Befreiung” , Jazzfestival Madagaskar<\/p>\n

2003<\/strong> Festival Abidjan,Elfenbeink\u00fcste, Rheingau Musikfestival<\/p>\n

2004<\/strong> Preis der deutschen Schallplattenkritik \u201eSpace player\u201c<\/p>\n

2005<\/strong> Intensive Konzertt\u00e4tigkeit<\/p>\n

2006<\/strong> Beginn der Zusammenarbeit und intensive Konzertt\u00e4tigkeit mit Elodie Brochier \u201eNur nicht aus Liebe weinen\u201c<\/p>\n

2009<\/strong> Festivals in Krakau, Prag, Luxembourg<\/p>\n

 <\/p>\n

DISKOGRAFIE<\/p>\n

\u00a0<\/u>\u201dLIVE\u201d<\/strong> \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (JHM 12 ST) \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 – 1982<\/p>\n

\u201dDIE SAXUELLE BEFREIUNG\u201c<\/strong> \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (JHM 19 ST) \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 – 1984<\/p>\n

\u201dUNERH\u00d6RT – STADTKL\u00c4NGE\u201d<\/strong> \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (JHM 21 ST) \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 – 1984<\/p>\n

\u201dDIE EISERNE NACHTIGALL\u201d<\/strong> \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (JHM 28 ST) \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 – 1987<\/p>\n

\u201dBABOMA\u201d<\/strong> \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (JHM 33 ST\/CD) \u00a0\u00a0\u00a0\u00a0 – 1988<\/p>\n

\u201dSAXFIGUREN\u201d<\/strong> \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (JHM 36 ST\/CD) \u00a0\u00a0\u00a0\u00a0 – 1989<\/p>\n

\u201dPROUDLY PRESENTS\u201c<\/strong> \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (JHM 46 CD) \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 – 1991<\/p>\n

\u201dMAFIA YEARS\u201d<\/strong> \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (JHM 58 CD) \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 – 1992<\/p>\n

\u201dGO COMMERCIAL\u201d<\/strong> \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (JHM 65 CD) \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 – 1993<\/p>\n

\u201dPLACE FOR LOVERS\u201d<\/strong> \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (JHM 82 CD) \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 – 1996<\/p>\n

\u201dLICENCE TO THRILL\u201d<\/strong> \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (JHM 100 CD) \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 – 1998<\/p>\n

\u201d20 JAHRE SAXUELLE BEFREIUNG\u201d<\/strong> \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (JHM 115 CD) \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 – 2001<\/p>\n

\u201dSPACE PLAYER\u201d<\/strong> \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (JHM 132 CD) \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 – 2004<\/p>\n

\u201dNUR NICHT AUS LIEBE WEINEN\u201d<\/strong> \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (JHM 160 CD) \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 – 2008<\/p>\n

 <\/p>\n

Press Comments<\/p>\n

Jazz Prize of the SWR [Southwestern German Radio]<\/p>\n

…in its justification for giving the prize, the SWR said, among other things, the five musicians understand how to overcome the overused \u201calternative\u201d or \u201cinnovative\u201d audible stimulus via the constant development and renewal of their musical vocabulary. The richness of discovery, out of which they create unheard sounds and unusual sound connections with their current 27 instruments, seems to continue growing year by year. In spite of their wide range of sounds, they have an unmistakable group identity that can only arise out of years of intensive cooperation. They sound familiar and yet again and again unusual.”<\/em><\/p>\n

Press Report SWR<\/p>\n

 <\/p>\n

\u201c… such polyrhythmic overlappings, harmonic turns or breath-taking virtuosic passages: others would not have the nerve to write such things. What would drive other musicians to sweat buckets when having a quick look at the score is what the five from Cologne master with the greatest of ease…\u00a0 One has not yet heard an orchestral opulence like this from a reed quintet.<\/em>\u201d\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 FAZ<\/p>\n

 <\/p>\n

\u201cAnd these near film-musical compositions also show how flexible and tonally versatile a reed ensemble can be \u2013 especially when it is played by aces, who naturally sneak modern performing methods of new music into the secretive note collection of the noise makers.<\/em>\u201d\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Olaf Weiden, K\u00f6lnische Rundschau<\/p>\n

 <\/p>\n

\u201cHanschel, Kaiser, Schorn, Ullrich and Veeck bundle up themes, play around them and themselves in the collective, shrewdly and with a deeper meaning. The magic from the brass jug has been blown by mouth, another sound maker just couldn\u2019t fit inside it. Marlowe would say, we are dealing with a gang of organized criminals.<\/em>\u201d\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 K\u00f6lnische Rundschau<\/p>\n

 <\/p>\n

\u201cThe power of the Mafiosi rests in the instrumental variety, in the overkill of the sounds, from sopranino to bass saxophone, from the flute all the way to the contrabass clarinet … a courageous act.<\/em>\u201d<\/p>\n

K\u00f6lnische Rundschau<\/p>\n

 <\/p>\n

\u201cThe omnipresent, universal and all-fertile femininity rounds off an extremely entertaining jazz concert: Petra in front of the Internal Revenue Service. There it is again, the happiness of the Rhine, out of which the music of the Cologne Saxophone Mafia sparkles. Current, modern jazz at the highest level.\u201d<\/em>
\n Oberpf\u00e4lzer K\u00fcnstlerhaus.<\/em><\/p>\n

\u201c… One saw five reed instrumentalists but could hear percussionists, string players, tonal painters as one would expect from a synthesizer: bassists, the selection of winds, by whom the brass somehow got smuggled in … and of course saxophone players …. This five-man ensemble has gone so far with its art that \u2013 whether it be a specialist or layman \u2013 everything that has ears is monopolized.!<\/em><\/p>\n

Eddy Cichosz, Heidenheim<\/p>\n

 <\/p>\n

\u201cSo many wanted to see the Cologne Saxophone Mafia that there weren\u2019t enough normal seats…. The musical Mafiosi get on fine without notes; the highly virtuous ensemble playing has become so perfect in their many years together that obviously each knows what the others are doing. Even in the most complex structures there was never a feeling of insecurity, no questioning gazes….<\/em>\u201d<\/p>\n

Ostfriesen-Zeitung<\/p>\n

 <\/p>\n

\u201cFor years the Cologne Saxophone Mafia has furnished proof that jazz at the highest level and humor do not at all exclude each other.. \u2013 simply magnificent! \u2013… as if this were not reason enough to make a dash for the next store to get these super records, the Mafiosi have another special tidbit ready: the entire CD was recorded with a single stereo microphone \u2013 the best spatial imaging without studio tricks!<\/em>\u201d<\/p>\n

IMAGE HiFi<\/p>\n

 <\/p>\n

\u201cThe program hardly left out a variety of love. From hardly ten beats of a short fling, Caribbean via the virtuous swelling up and dying down of the Inner Vibes of Love all the way to a ribald and passionate honeymoon for two elephants … nearly every facet of their playing, always new, found its corresponding musical expression … whether sensual or wild \u2013 the Mafia always impress via their perfect mixture of polished arrangements, rousing improvisation and unbridled pleasure of playing. And that infects, makes one want more.<\/em>\u201d\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Juliane Lehmann, Hameln<\/p>\n

 <\/p>\n

“Alienation is the actual terrain of the Saxophone Mafia. And yet nothing is left to chance. On the contrary: the music is organized in nearly Mafiosi-like hierarchies, no trace of improvised chaos, instead total exactness.<\/em>\u201d\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Frankfurter Rundschau<\/p>\n

 <\/p>\n

\u201cShocking: in the bass playing of the love-sick bass player, the entire clarinet family was used; from the partially bizarre looking instruments with a real scarcity value, they elicited witty melodiousness, from bleak tooting between lonely elephants and cast iron watering cans all the way to painful ethereal heights in lamenting tones of chastised humming birds. With an undisputed control over their instruments, the Sax-Mafiosi put a deeply musical jazz cabaret on stage, whereas the joke is always found in instrumental punch lines \u2013 paired with the crazy, overexcited joy of playing and unbridled fire.\u201d<\/em><\/p>\n

Rheinpfalz<\/p>\n

 <\/p>\n

\u201cNo question, saxophones have a soul. They rejoice in their happiness, they sorrowfully pour out their hearts, and some of them have a screw or two loose. When, in addition, the Cologne Saxophone Mafia breathe life into them, then they develop a psyche whose sensitivity the likes of which have not only not been found in the world of music instruments… but supported from the understanding damped ostinato of the colleagues, these instruments spread out their explosive, experimental declarations of love in solo, before the pent-up feelings of all the saxophones were released in a fulminating, resounding primal scream therapy up front on the edge of the stage…. and that such a lamentation of unrequited love from the bass saxophone \u2013 a whimpering, howling, moaning in all pitches and tonal colors \u2013 was able to transpose not only the present saxophones, but also the human public into the deepest emotion.<\/em>\u201d\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 G\u00f6ttinger Tagesblatt<\/p>\n

 <\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

K\u00d6LNER SAXOPHON MAFIA Roger Hanschel – Wollie Kaiser – Steffen Schorn – Joachim Ullrich   Die Story 1981 K\u00d6LNER SAXOPHON MAFIA wird gegr\u00fcndet, 4. K\u00f6lner Jazz Haus Festival 1982 1. LP \u201cLive\u201d, Live-Mitschnitt Radio Bremen, WDR. 1983 WDR-Nachtmusik, Daxberger Situationen, Marseille, Jazz in the Garden Berlin, WDR Stadtmusik Gewinner. 1984 Jazzfestival Hofheim, Jazzfestival Balver H\u00f6hle,… <\/p>\n

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